All PUGET, Pierre 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
43584 Great Vessel of War  Great Vessel of War   28 x 41,8 cm
43590 Navigation before a Promontory  Navigation before a Promontory   20 x 23,4 cm
8688 Portrait of the Artist's Mother af  Portrait of the Artist's Mother af   1651-55 Oil on canvas, 60 x 50 cm Private collection, Nimes
78464 Self portrait  Self portrait   17th century Medium Oil on canvas cyf
8694 Self-portrait ag  Self-portrait ag   1668-69 Oil on canvas, 47 x 38 cm Mus??e Granet, Aix-en-Provence
8695 Self-portrait in Old Age af  Self-portrait in Old Age af   1690-92 Oil on canvas, 75 x 61 cm Mus??e du Louvre, Paris
8689 St Peter Holding the Key of the Paradise sg  St Peter Holding the Key of the Paradise sg   1653-59 Oil on canvas, 183 x 87 cm Parish Church, Grandcamp
43598 Study of a Horse  Study of a Horse   34,5 x 27,7 cm
8698 The Education of Achilles by Chiron ar  The Education of Achilles by Chiron ar   c. 1690 Oil on canvas Mus??e des Beaux-Arts, Marseille
8693 The Holy Family at the Palm-tree g  The Holy Family at the Palm-tree g   1662-63 Oil on canvas, 210 x 140 cm Private collection, Aix-en-Provence
8690 The Sacrifice of Noah f  The Sacrifice of Noah f   1654 Oil on canvas, 92 x 62,5 cm Mus??e des Beaux-Arts, Marseille
63832 The Stoning of St Peter  The Stoning of St Peter   1654 Terracotta, 38 x 51 cm Mus?e des Beaux-Arts, Marseille The fragment (the upper part of the relief is missing) was probably a study to a panel of an unidentified altarpiece. The iconography of the relief is related to the painted versions of the subject executed by the Genoese painters of the 17th century, notably Giovanni Andrea Ferrari and Gioacchino Assereto.Artist:PUGET, Pierre Title: The Stoning of St Peter Painted in 1651-1700 , French - - painting : religious
8692 The Visitation (detail)  The Visitation (detail)   1659 Oil on canvas Mus??e Granet, Aix-en-Provence
8691 The Visitation af  The Visitation af   1659 Oil on canvas, 252,5 x 173,5 cm Mus??e Granet, Aix-en-Provence
43587 Two Vessels under Sail  Two Vessels under Sail   33,3 x 51,1 cm
43583 Vessel Firing a Salvo  Vessel Firing a Salvo   41 x 64,5 cm
43588 View on the Sea Time  View on the Sea Time   27,2 x 44,7 cm
8696 Virgin Giving the Scapular to St Simon Stock sg  Virgin Giving the Scapular to St Simon Stock sg   Oil on canvas, 78,5 x 53,5 cm Mus??e des Beaux-Arts, Marseille
PUGET, Pierre
French Baroque Era Sculptor, 1620-1694 French sculptor, painter, draughtsman and architect. Puget was one of the outstanding artists of his century, but his style, formed by the Italian Baroque, did not however always find favour in the classicizing atmosphere of the French court, where Jean-Baptiste Colbert would describe him in 1670 as 'a man who goes a little too fast, and whose imagination is a little too heated'. Although the son of a master mason, Simon Puget (d 1623), Puget was largely self-taught, as were his brother Gaspard Puget (1615-after 1683), an architect, and his son Fran?ois Puget (1651-1707), a painter. Apprenticed in 1634 to a wood-carver, Jean Roman, in Marseille, he left in 1638 for Italy, spending some years in Florence and Rome close to Pietro da Cortona, presumably as a stuccoist and painter, although his part in the decoration of the Palazzo Pitti, Florence, Cortona's main project of these years, is not clear. From 1643 he practised sculpture and painting at the Toulon Arsenal, France's largest naval shipyard, where he was appointed to the wood-carving workshop: around 1645, for instance, he designed and supervised the decoration of the ship Le Magnifique (in 1646 renamed La Reine; destr.). According to some sources, in 1646 he made a second journey to Italy,



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